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‘Helen.’ Review: A Restless Heroine Tired of Abiding by Gender Roles
At La MaMa, Caitlin George’s new play uses comedy to counter the legend of Helen of Troy.
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Women of ‘Groundswell’: Thinking Outside the Spiral
Revisiting the land artists at the Nasher Sculpture Center, a critic finds their work was never more relevant than it…
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‘What the Constitution Means to Me’ Is This Season’s Most-Staged Play
Heidi Schreck’s play will have at least 16 productions around the country; last season’s most-produced play, “Clyde’s,” came in second.
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Review: Laurie Anderson Gets Back to Having a Good Time
With the jazz combo Sexmob, this enduring avant-gardist revisited vintage and recent songs with a grooving spirit.
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Camaraderie and Visibility: A Festival for Black Classical Musicians
“You feel like you’re home,” a bassoonist said of the Gateways Music Festival, which for 30 years has provided Black…
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Review: ‘Scavengers Reign’ Is a Gorgeous, Hypnotic Space Trip
Max’s animated sci-fi saga imagines a bizarre ecosystem in which humans are the invasive species.
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Still Mourning Takeoff’s Death, Quavo Steps Out Alone
It’s odd to hear Quavo have to search for the right words. As one-third of the rap group Migos, Quavious…
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A Country Where ‘Some People Need Killing’ Was State Policy
The new book by the Philippine journalist Patricia Evangelista recounts her investigation into the campaign of extrajudicial murders under former…
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Jacqueline Woodson and Amber McBride Look Backward to Look Forward
“Remember Us” recalls the fires of 1970s Bushwick. “Gone Wolf” begins in a 2111 Southern breakaway nation after a second…
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‘Suffs’ Heads to Broadway With Hillary Clinton as a Producer
The musical, about early-20th-century efforts to win the right to vote for women, will open in April at the Music…