Food
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Celebrating the Roaring 2020s With a Bee’s Knees Cocktail
The Prohibition Era favorite is back on bar menus, with creative ingredients but the same inherent charm.
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Avedon at Large
“Richard Avedon: Murals” fills just one gallery of the Met, but “fills” is an understatement. These portraits of prominent political…
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‘Godland’ Review: Another of God’s Lonely Men Goes Amok (Spiritually)
In this striking drama set in the late 19th century, a Danish priest travels to Iceland and is gradually undone…
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‘Una Vita Difficile’ Review: Life Comes at You Fast
Alberto Sordi stars as an idealistic Italian Everyman caught up in a changing postwar world in this rediscovered comedy from…
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Felix Gonzalez-Torres, a Master of Mutability
An ultra-polished survey of the artist’s works at David Zwirner — some not seen before — demonstrate how preservation and…
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Philomena Cunk Is Weird Enough to Take on the World
The new Netflix show “Cunk on Earth” looks like an ambitious BBC documentary. Until its fictional host, created by Charlie…
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Facing Death, a Pianist Recorded Music of Unspeakable Emotions
Lars Vogt, for one of his final albums made before dying from cancer, turned to chamber music by Schubert with…
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Review: Dancing for Themselves in an Underworld of Shadows
Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay’s delicate, hypnotic “Horse, the Solos.”
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‘Knock at the Cabin’ Review: Who’s There? The Apocalypse.
In M. Night Shyamalan’s latest thought experiment, Dave Bautista brings the end of the world to a peaceful country cottage.
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It’s Beyoncé’s Time to Shine at the Grammys … Right?
With a dominant new album, “Renaissance,” and the chance to become the most awarded artist in Grammy history, all eyes…